That, feeling of comfort and trust with someone or something. The unexplained connection between two people or the instinctive joy you feel when meeting someone or experience something or someplace new. A friendship that takes off so unexpectedly! That spark that connects you with someone is sometimes inexplicable, but comforting. It may last for a moment or two, it could last for a lifetime of friendship or partnership of understanding, acceptance and familiarity. The interconnectedness of people across different planes in your life and intimacy between people and their surroundings nurtures your person, uplifts and colors your life, your work.
These relationships are part of what make you the person you are, each one an instrument impacting your life. It is what has affected us to create and curate the performances we have for you today. That between – a father and daughter, master and apprentice, fashion designer and artistic director, teacher and student, two colleagues, seniors and juniors they all add depth and perspective to our rhythms, movements, richness, lightness or heaviness. They are what fuels the camaraderie with our creativity.
情谊，艺术最美的和弦，灵魂的所在。
那是一种安心的感觉——你和某人、某事之间，自然而生的信任。
一种难以言说，却能瞬间点燃的连结； 当你遇见一个人、一段经验，或是一处新的地方， 内心不由自主泛起的喜悦。
有时候，一段友谊就这样悄然展开，毫无预警。那个将你和另一个人牵起的火花，也许无法解释，却能带来踏实与依靠。它或许只停留片刻，也可能伴随一生，成为理解、接纳与熟悉的深厚关系。
当人与人在人生的不同层次中交错，当人与环境之间生出亲密感，这些连结便悄悄滋养着我们，点亮生活，也点亮创作。
每一段关系，都像一件乐器，在生命中奏出独特的旋律。正是这些关系，触动我们创作，并细心编排成今天的演出。
教练与鼓手、师徒、设计师与导演、父亲与女儿、老师与学生、同事、前后辈……这些看似不同的组合，在节奏的层次、动作的起伏、轻与重的交替中，为我们带来更深的视角与感受。
而在鼓声里，记忆也被唤起。每一次击打，声音穿过空气，推动无形的波纹，展开一段跨越时光的旅程。它把过去与现在连在同一个脉搏里。
在一切都追新的时代，我们选择回望——回到那些熟悉的曲目，不是为了复制，而是为了重访。就像酿酒，旧日的旋律在时间里沉淀、发酵，再次被开启时，带着更浓烈的香气与深度。
每一首曲子，都是被击响的记忆，沿着往昔的纹理生长，穿越季节与岁月，吸纳新的声色与重量。震荡留在心里，轻轻唤醒尘封的片段，成为我们之间最长久的连结。
舞台只是我们相遇的地方，真正的演出，发生在「之间」——在鼓声的呼吸里，在时间的回音里，在那份仍然相牵的情谊里。
这份情谊，正是 《Camaraderie》 的灵魂所在。
As I sat waiting for the ‘Camaraderie’ press conference to begin, I had little time to think about what I wanted to say that day. We never seem to have enough time, but I am deeply proud of everything that we have achieved. Despite our consistent crazy schedules, I know that we deliver incredible work. This conviction, for me, comes from having the right people in our corner.
The right people are open to your unconventional ideas. They stay with you throughout the years, grow and learn with you. They challenge and allow you to be better, ride the challenges and celebrate the highs with you. In ‘Camaraderie,’ there is chemistry that just works and relationships that allow one another to make mistakes, speak, and listen. It enables us to effectively create for our audiences.
Pieces curated for this production are a reminder of how and where we started. Revised compositions reflect the growth of the team, the strengthening of friendship and comradeship, and the willingness to take risks. ‘Rhythm Ride’, ‘Rhythm Within’, ‘The Taiko’s Duel’ and ‘Flowers Thrusting’ will offer new perspectives, and evoke fresh emotions.
As artistic director I want my team to have the space to grow, to believe themselves capable of doing more. From, Jimmy sharing the stage with his 6-year-old daughter for the first time. Jack, Zhe Hao and Yamato expanding their journey of composing with Leow Yunn. DeafBeat training another gamelan player and our young HPA students ready to perform with us. To Sudi, Umar, Kathyn, and Zam consistently working their expertise into our collaborations. We are all rooted in the right relationships.
Opening night on the 14th of November 2025, will mark one year of my father’s passing. He was the epitome of camaraderie – friendly, witty, and so trusting. Even during the toughest of times, I could leave him waiting in a crowd only to come back to see that he has made new friends. That joyful grin on his face. The camaraderie I had with him has been the foundation of my life. I have loved our journey here and I hope that you will too.
— Bernard
当我坐在《Camaraderie》记者会即将开始的现场，
其实没有太多时间去思考当天要说些什么。
我们永远都在和时间赛跑，但我依然为团队所完成的一切感到骄傲。
虽然我们的行程总是满满当当，
但我始终相信：我们之能创作出了这些令人惊叹的作品，是因为身边有一群对的人。
对的人，会愿意倾听你那些看似不循常规的想法；
他们陪你一起走过岁月，一起成长、一起学习；
他们挑战你、也成就你；与你一同面对困难、也共享喜悦。
《Camaraderie》之所以特别，是因为那份默契
—— 彼此信任、包容错误、懂得述说与倾听。
正因为这种关系，我们才能创作出真正打动观众的作品。
本次演出的曲目，是我们旅程的映照，提醒我们回望自己的起点。
重新编排的乐章见证团队的成长，友情与合作的加深，以及我们不断冒险、不断突破的勇气。
《Rhythm Ride 心往神驰》《Rhythm Within 鼓之·舞之》《Taiko’s Duel 太鼓之战》和《Flowers Thrusting 花之击》，都会带来全新的诠释，并激发新的感受。
作为艺术总监，我希望团队成员都有成长的空间，相信自己可以走得更远。
Jimmy 首次与 6 岁的女儿同台演出；
伟结、哲浩和吴冲与柳韵一起拓展作曲的新旅程；
Deafbeat 培养了新的甘美兰演奏者；
年轻的 HPA 学员们也准备好登上舞台与我们同台演出。
Sudi、Umar、Kathyn 和 Zam 一直以来在各自的专业领域给予我们力量与灵感。
我们都因这份「对的关系」而紧紧相连，
所往前的每一步都扎根于彼此之间的信任与连结。
2025 年 11 月 14 日的首演之夜，将恰好是我父亲离世一年的日子。
他是 “情谊” 的化身——友善、幽默、又充满信任。
即使在最困难的时刻，我把他独自留在一群陌生人中，
回头总能看到他已经交到新朋友，脸上带着那熟悉而温暖的笑容。
我和他之间的那份情谊，是我人生最重要的基石。
我很珍惜我们一路走来的旅程，也希望你们能与我们一起感受这份温度。
—— 吴圣雄
Composed by 作曲：Jack Wan 温伟结
Performers 表演者：Jimmy Ch’ng, Jack Wan, Yamato Goh, Tan Zhe Hao, Taedeus Choy, Yujiro Ohmori, Chia Tit Wang, Moongfei Yee, Lim Pui Yi, Kow Mun Kit, Ricco Lim, Ivan Yong, Wong Chee Sam, Janice Kho, Siow Yee Tung, Liew Shin Chyi
Standing at high ground, the lead drummer sounds the beat to beckon fellow drummers to a percussion feast. Akin to timely rain, the call is expressed with counts of beats symbolizing thunder from the 1st of the 24 solar terms, Lì Chūn (The Start of Spring). The call beckons creatures and plants to start engaging in movement in the woodland, where hundreds of flowers bloom.
Today, drummers use canes as drumsticks – the tender and firm rattan symbolizes a pen of wisdom, and a powerful sword. As if competing in percussion skills, drummers interact with each other through music. They respect and appreciate each other’s musical works. Flowers Thrusting reminds us of the vigour of the mountains and rivers, gathers the warmth of our hearts and minds to inaugurate the percussion feast.
An original work by Wan Wai Keat (Jack) which debuted at the Hua Zhong Literary Awards in 2022, it was an opening drum feast to welcome world-class literary talents to a prestigious event. Returning to what he is meant to do, Jack revisits his composition to include elements of martial art movements. He draws inspiration from the warrior characteristics of the Five Greats in legendary battle ‘Duel on Mount Hua.’ Talent alone does not make one a warrior. It takes hard work, sacrifice, persistence, foresight. Working with trusted collaborator and friend Leow Yunn ‘Flowers Thrusting’ is an integration of the martial art world into a musical duel ensuing on stage between new and existing musical and performative elements, and our musicians. Like the battle on Mount Hua, sparks will fly!
排练总监温伟结原创之作。
鼓声如花开，亦如雷动。
昔日，它为花踪文学奖的舞台而生，
为一场迎接世界好手的鼓宴揭开序幕。
仿佛 一阵催花雨，数声惊蛰雷，林中万物萌动，百花盛开。
是拳脚比划，亦是以乐交锋；
是较劲、是融合、是共同热爱而惺惺相惜。
这一次，柳韵老师的音乐与鼓声相遇，
既延续了江湖相逢的盛大气势，
也添上了音乐之间彼此倾听、彼此成全的灵光。
Performers 表演者：Emi Ch’ng, Jimmy Ch’ng
Life unfolds like a long symphony — each instrument reflecting the bonds that shape our journey.
The prelude of this performance begins with HANDS’ principal percussionist, Jimmy Ch’ng, performing alongside his daughter, Emi. Within the tender resonance of the handpan, a flower quietly blooms.
My Flower is adapted from “Daylily (萱草花)”, the theme song for the film Hi, Mom (你好，李焕英) — lyrics by Li Cong, composed by Akiyama Sayuri, and performed by Zhang Xiaofei. Rooted in love, its melody carries the warmth of kinship — a seed of beauty passed down through generations, blossoming anew in the harmony between father and daughter.
人生如一首长乐章，
不同的乐器，映照着我们生命中的牵绊。
演出的序幕，由鼓团首席鼓手庄力翰与女儿绘心揭开。
在手碟温润的声响里，花儿悄然绽放。
旋律如花开，带着亲情的温度，
也像一粒美的种子，
在血脉与时光之间延续，
传递给下一代，化为最真挚的默契。
Performers 表演者：Jimmy Ch’ng, Sara Heng, Chuah Yuwen
In this modern representation for the traditional guzheng, Jimmy Ch’ng plays the drums alongside longtime friend and internationally renowned guzheng player Sara Heng. The drums and guzheng call and respond to each other. Their sounds interwoven with the depth of friendship, carrying the power of legacy. The guzheng’s ability to adapt to modern and international music reflects its robustness and versatility. As with long term relationships that last because of people’s ability to reflect, learn and adapt. Sara is not just a close friend and fellow musician, but also the first to lead Emi, Jimmy’s daughter onto her journey with music. Emi started her guzheng lessons with Sara not too long ago. The transition between friendship and mentorship are intertwined within the melody of this composition, weaving kinship, and growth into a song about walking through life in reflection and with openness.
庄力翰与老友王惜盈，并肩伫立于舞台之上。
古筝与鼓声相互回应，如同两位行者在时光中对话。
音色之间，交织的不仅是多年的情谊，也是一份跨越世代的传承——
惜盈不仅是力翰的挚友，更是他女儿的启蒙老师。
友情与师承在旋律里交错，把亲情、成长与生命的旅程悄然织入乐曲。
《行者》以古丝绸之路为灵感，取材自西安鼓乐《婆罗门引》与《龟兹乐》，
在筝弦的摇曳与鼓点的回荡中，重现了龟兹古国的神秘与辉煌。
它既写“行走”，也写“修行”。
在悠远的意境中，呈现探索、反思、坚毅、宽广的“行者精神”。
传统与创新在此相会，让古筝在新时代的语境里，继续向世界发声。
Composed by 作曲：Yamato Goh Kok Wei 吴冲
Performers 表演者：Siew Yanhou, Jimmy Ch’ng, Jack Wan, Yamato Goh, Tan Zhe Hao, Taedeus Choy, Yujiro Ohmori, Chia Tit Wang, Moongfei Yee, Lim Pui Yi, Kow Mun Kit, Reid Yeap, Tee Leong Hoe
A new composition by HANDS Percussion’s resident Japanese culture fan Yamato, this piece features the taiko drums and the Japanese art of drumming as a centrepiece. Taiko drumming embodies energy, movement, technique and most of all attitude. It is this attitude and the dramatic nature of taiko drumming that leads ‘The Taiko’s Duel’ to take on a ‘Duel in the Mist’ a piece presented by the ITA Ensemble in its debut concert ‘Around the World in 80 Minutes’. This turns the stage set for the taiko drums into a stunning musical duel with the addition of the gendang, shigu drums, guzheng, pipa, samisen and the flute.
Emerging composer Yamato presents a reworked《Taiko’s Duel》after its debut in 2023, elevating his composition where the taiko drums pulse like heartbeats, driving each drummer forward. Each strike is a dialogue with the wind and thunder, infusing passion into each beat. Within the reverberations of the drum, we hear not just rhythm, but the power and soul of life itself.
新生代作曲家吴冲，以《太鼓之战》点燃全场。
太鼓如心脏般跃动，推动身体与灵魂向前；
每一次重击，都像与风雷对话，把热血注入空气之中。
在鼓声的震荡里，我们听见的不只是节奏，
更是一种直抵本能的力量——
勇气、对抗、突破，以及生命最原始的脉动。
《太鼓之战》象征着新一代的大胆与锋芒。
在鼓者的身影与汗水之间，
声音成为武器，节拍成为意志，
让“战”的意义超越技艺，转化为灵魂的呼喊
Choreographed by 编舞: Dr Tan Chai Chen (Kathyn) 陈柯杏博士
Composed by 作曲：Tan Zhe Hao 陈哲浩
Performers 表演者：Ricco Lim, Ivan Yong, Wong Chee Sam, Janice Kho, Siow Yee Tung, Liew Shin Chyi, Yanny Lin, Adrian Khoo, Khoo Nii Hing, Ng Zam Ming, Wong Jie Yi, Jeremy Si
The movement of the heart can transform into the movement of the body, and the rhythm of the heart’s pulse is conveyed through the sound of the drum and the power of the dance, revealing a person’s spirit and inner state. This fusion of drum and dance not only serves to express deeply held desires and longings, but also as a channel for releasing passion and energy. The harmony between the beat of the drum and the graceful movements of the body becomes a language that transcends words, connecting the inner world of human emotion with the outer world. Through this dynamic interplay, the boundaries between inward contemplation and outward expression begin to blur, creating a performance that is both intimate and universal, reflecting the complexity of human experience while touching on something deeply personal and collectively shared.
The music for Rhythm Within was composed by drummer and percussionist Tan Zhe Hao with no formal music training, just a growing passion and keen interest to explore composition and experiment with sounds and technology. It was a challenge requiring discipline and a steep learning curve. A self-reflecting quiet soul, his hard work and self-sufficiency together with dancer and choreographer Dr. Kathyn Tan’s open, honest, and organic approach to creating, sculpted the music into visible form where it debuted in HANDS Percussion’s Kaleidoscope 7 – Gendang Sedunia (2024). In today’s revised version, the ITA Ensemble performs the music live with new electronic mixes, blending diverse cultural sounds to marry the drumbeats of our drums with dance once again.
乐声最早在鼓手陈哲浩电脑里成了形，
加入陈柯杏老师的肢体创作，
让音乐推动身体，身体牵引节奏，
音乐被雕刻成可见的形状。
从电子混音到现场灵魂演奏，
水土方乐团——一个在疫情期间成立，
跨界融合多元文化声音的乐队同台，
让这首曲子有了温度和触感，
作品在另一个时刻得到圆满。，
Composed by 作曲：Bernard Goh 吴圣雄
Performers 表演者：Jimmy Ch’ng, Jack Wan, Yamato Goh, Tan Zhe Hao, Taedeus Choy, Yujiro Ohmori, Chia Tit Wang, Moongfei Yee, Lim Pui Yi, Kow Mun Kit, Tee Leong Hoe, Ricco Lim, Adrian Khoo, Ng Zam Ming
The first clap of thunder, startles everything awake.
Returning to the original drumbeat, traversing the years,
it lands once more in our palms.
Bodies testing boundaries,
tradition and freedom, rules, and imagination,
pulling against and growing with each other.
Culture, time and experiences, puts forth new ideas, igniting creativity
while still deeply rooted in tradition.
Our direction remains within the power of the root,
generation after generation of hands, picking up drumsticks,
striking familiar rhythmic lines, always growing through time,
growing deeper with each beat.
Rhythm Ride was composed by Bernard in 2005 for his 2nd team to represent their independence and individuality as drummers and performers. “I wanted them to be trained and move like dancers and to use it as a tool through which rhythm can flow.” In 2009 it had its first revision with the addition of traditional masks and today in 2025 it returns reimagined with arrangement and choreography representing deeper layers of dialogue between generations. Rhythm Ride is the art of meticulous drumming, precise movement, and deep connection with one’s fellow peers.
像是第一声雷，把一切惊醒。
回到最初的鼓点，穿越岁月，再一次落在我们的掌心。
年轻的身躯曾用这首曲子试探边界——
传统与自由，规范与想像，彼此拉扯又彼此生长。
文化生出新的枝叶，传统依然是深埋的根。
我们在根的力量里寻找方向，
一代又一代的手，接过鼓棒，击打同一条节奏线，
让它在时间里不断延伸，愈敲愈深。
Composed by 作曲: Teuku Umar Ilany
Performers 表演者：Kamarul Baiquni bin Kamarul Baisah, Jimmy Ch’ng, Jack Wan, Yamato Goh, Tan Zhe Hao, Taedeus Choy, Yujiro Ohmori, Chia Tit Wang, Moongfei Yee, Lim Pui Yi, Kow Mun Kit, Reid Yeap, Low Yik Chuan, Jo-E Yap, Tan Yeong Yin, Lim Wei Ying
Seventeen years ago, a young student Teuku Umar Ilany began his journey with HANDS. Today, he leads Gangsapura, a collective that reimagines Malay gamelan through a contemporary lens, while also serving as HANDS’ gamelan mentor.
In this performance, Umar presents two works:
Kencang Kenanga — like ripples spreading through water, each beat travels from the palm to the heart, expanding through time and memory.
Camaraderie — a piece performed together with DeafBeat and 8-year-old drummer Kamarul Baiquni, where the heartbeat of the drums becomes a bridge of connection.
Among the performers are Deafbeat, who began their musical journey seventeen years ago — learning to feel rhythm not through listening, but by feeling the pulse in their palms. The sound that resonated through the air now vibrates through the bones. Today, they return to the gamelan — its metallic resonance delicate yet profound, as melodies surface in their hands. Some sounds cannot be heard, yet they can still be felt — echoing deeply within the heart.
十七年前的一位年轻学生 Teuku Umar Ilany，
如今已成为以当代视角演绎马来甘美兰的团体——Gangsapura 的团长，
也同时是手集团甘美兰导师。
他创作的两首作品：
《Kencang Kenanga》——
如同一圈圈漾开的波纹，从掌心传入心底，随着时间扩散，久久不散。
以及《Camaraderie》——
与失聪学生与马来孩童一同演绎，以鼓声为心，击响彼此；
参与演出的一群失聪的学生，
在十七年前的同一时期，
以鼓为起点，用掌心聆听节奏的震动，
那是穿过空气、直抵骨头的声音。
今天，他们走向甘美兰——
金属的回响细致而节制，
在掌心里浮现旋律，
有些声音听不见，却能在手心震荡。
Composed by 作曲: I Wayan Sudirana
Choreographed by 编舞: Bernard Goh 吴圣雄
Co-choreographed by 动作指导: Zamzuriah binti Zahari
Performers 表演者：Jimmy Ch’ng, Moongfei Yee, Reid Yeap, Yamato Goh, Yujiro Ohmori, Chia Tit Wang, Lim Pui Yi, Kow Mun Kit, Ricco Lim, Wong Chee Sam, Janice Kho, Siow Yee Tung, Yanny Lin, Adrian Khoo, Ng Zam Ming, Wong Jie Yi, Low Yik Chuan, Jo-E Yap, Tan Yeong Yin, Lim Wei Ying, Jeremy Si, Tham Ying Guan, Yong Kar Tim, Lew Hui, Loo Wei Hen, Grace Chan, Nick Ooi, Teh Shin Hui, Yvonne Wong
Some drumbeats run deep — rising from the bloodline, echoing through time. Some colours break from tradition, yet glow with even greater vitality.
In our hands, Teochew culture is not a relic, but a living pulse — a root that breathes. To create through tradition is to shape its core and carry its spirit forward.
Once, a white lion dance dared to challenge old taboos, its rhythm confronting silence and prejudice alike. Each strike of the drum becomes a dialogue with the past — where love and legacy are embedded in every resonance, and the voices of our forebears continue to resound.
In this encounter between tradition and the contemporary, mythic heroes come alive once more — they may be the young drummer, the dancing figure, the hands that guard our heritage, and the light that opens a path for the future.
有些鼓声，根深蒂固，从血液里涌出；
有些颜色，颠覆了传统，却更显鲜活。
潮州文化的根，在我们手中不是标本，而是活的血脉。
以传统为创作，是潮州的骨，也是创新的脉。
曾经，用白色舞狮对话传统禁忌，
也控诉另一种沉默的偏见。
每一次敲击，都是与传统、与过去在时光里的对话，
把根与爱击进鼓声，承载着父辈的传承，
让它们在回响中长久不散。
在这一场现代与传统传承的叩问，
神话英雄作为对话的符号，
他可能是击鼓的少年，是舞动的身影，
是让文化延续的手，也是为未来开路的光。
Yuan is known for her breadth, diversity and flexibility as a musician. Having graduated from the University of Wales and the Ocean Institute of Audio Technology, she is a composer, arranger, producer, pianist and lecturer; and juggles her roles daily.
作为一名音乐家，阮柳韵以丰富多元又灵活的音乐创作闻 名。毕业于英国威尔斯大学和马来西亚 Ocean Institute of Audio Technology 音频工程学院。阮柳韵是一名作曲家、 编曲家、制作人、钢琴家和讲师，每日以多重身份徜徉音乐世界。
I Wayan Sudirana
Chao Ge Gu Ying 潮歌·鼓影
Teuku Umar Ilany
Kencang Kenanga & Camaraderie 情·憶
Bernard Goh 吴圣雄
Rhythm Ride 心往神驰
Jack Wan 温伟结
Flowers Thrusting 花之击
Yamato Goh Kok Wei 吴冲
Taiko’s Duel 太鼓之战
Tan Zhe Hao 陈哲浩
Rhythm Within 鼓之·舞之
Choreographer 编舞
Dr Tan Chai Chen(Kathyn) 陈柯杏博士
Rhythm Within 鼓之·舞之
Choreographer 编舞
Bernard Goh 吴圣雄
Chao Ge Gu Ying 潮歌·鼓影
Co-Choreographer 动作指导
Zamzuriah Zahari
Chao Ge Gu Ying 潮歌·鼓影
The ITA Ensemble has grown to become an extended family to HANDS Percussion — a group of musicians, educators, and multi-instrumentalists bound by rhythm, friendship, and a shared Malaysian heritage. Together, they bridge traditional and contemporary sounds, carrying forward the heartbeat of the land that nurtures them.
水土方乐团 是手集团的挚友与家人，由乐手、教育者与多乐器演奏者组成，以马来西亚多元文化为根，在传统与当代之间展开对话，让这片土地的心跳，在乐声中延续。
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Performers 表演者: Harry Chong, Albert Law, Michael Lim, Mackey Chua, Joseph Liew, Han Pang
Deafbeat Percussion is Malaysia’s first and only deaf 24 Festive Drums ensemble, established in 2007. Over the past 13 years, they have conducted more than 120 performances both domestically and internationally, showcasing their talent in countries such as Poland, India, Taiwan, Cambodia, and Hong Kong. In 2017, they celebrated their tenth anniversary with the concert “Inner Voices.”
Deafbeat 聋哑鼓团是马来西亚首支，也是唯一一支聋哑二十四节令鼓团队，成立于2007年，13年来在国内外做过逾120场表演，到过波兰、印度、台湾、柬埔寨、香港等地方演出，2017年举办十周年演奏会《互语》（Inner Voices）。
Ondo Handpan Studio, founded in 2020 by JianHao Phang in Kuala Lumpur, Malaysia, is a creative space dedicated to the teaching, performance, and cultural development of handpan music. The studio aims to advance the handpan as a modern percussion instrument, blending artistry with technicality while exploring its expressive potential across diverse musical contexts.
Ondo Handpan Studio offers a wide range of learning experiences — from professional private lessons focusing on playing techniques and musical structure, to relaxed, beginner-friendly workshops designed for newcomers. Students are encouraged to explore the essence of handpan performance in a joyful and supportive environment. In addition to music education, the studio also provides instrument consultation and selection services, allowing visitors to experience and understand the tonal differences between various handpan brands and scales.
Ondo Handpan Studio 由彭健豪（JianHao）于2020年在马来西亚吉隆坡创立，是一个专注于手碟（Handpan）音乐教学、演出与推广的专业空间。工作室致力于推动手碟作为新型打击乐器的发展，融合艺术性与技术性，探索其在不同音乐语境中的表现可能。
Ondo Handpan Studio 提供多元化的教学内容，从注重演奏技巧与音乐结构的专业私教课程，到轻松愉快、适合零基础学习者的体验式工作坊，让学习者能在愉快的氛围中掌握手碟演奏的核心技术。除了教学以外，工作室亦提供手碟乐器的选购与咨询服务，欢迎有兴趣的朋友预约到访，亲手试奏并了解不同品牌与音阶手碟之间的差别。
At HANDS Percussion Academy (HPA), we offer 24 Festive Drums and Modern Chinese Drums classes, providing a complete learning roadmap — from beginners to aspiring professionals. Our doors are open to everyone, from age six to sixty and beyond.
In addition to drum training, we also conduct a variety of percussion classes and workshops, including Body Percussion, Djembe, Gamelan, Malay Gendang, and more. HPA offers regular classes, workshops, corporate team-building programmes, themed events, and intensive courses, designed to share the joy and artistry of rhythm with all.
在 HANDS Percussion Academy（手集团鼓学院），我们开设 二十四节令鼓课程 与 现代中鼓课程，并提供从入门到专业的完整学习路径。无论是6岁孩童或60岁成人，皆可参与，没有年龄限制。
此外，我们也开设多元的打击乐课程与工作坊，包括 身体打击乐、非洲鼓、加美兰、马来鼓 等。
鼓学院定期开办 常规课程、工作坊、企业团队培训、主题活动 及 强化课程，让更多人感受节奏的魅力与表演的乐趣
Production Manager
John Wong
Stage Manager
Jaslyn Niow
Deputy Stage Manager
CJ Koay
Assistant Stage Manager
Karman Lee
Wardrobe Manager
Lynn Kek
Sound Engineer
Ivan Beh
Multimedia Operator
Cea
Lighting Assistant
Ling Wen Jie
Sound Crew
Cheong
Karyan
Ahmad ‘Afif Waqiyuddin Bin Illias
Muhammad LuqmanulHakim bin Kadir
Backstage Crew
Jing Ying
Ng Yuh Ning
Siew Ying Chenn
Jsheng
Chin Yi Fung
Koh Min Xuan
Jocelyn Tan
Media Relations
Zoe Lee
Hannef Esquander Bin Abdul Rauf
Marketing Manager
Cloud Lim
Partnership Coordinator
Teh Shin Hui
Graphic Designer
Chong Eik Long
Copywriter (English)
Sueann Tilaka
Copywriter (Chinese)
Sophia Tan
Social Media Video Maker
Melvin X.B.
Liee Ying
Photographer
Tat Chin
BTS Video
Melvin X.B.
<The Grounded Wind> Microfilm
Director & Editor: Melvin X.B.
Director of Photography: Liee Ying
Gaffer & Crew: Tat Chin
The Prequel of <Chao Ge Gu Ying>
Director & Editor: Melvin X.B.
Director of Photography: Liee Ying
Cinematographer
Producer: Dick Chua
Director: Gk Koon
Production manager: Jocny Lai
Videographer:
John Lee
Choong Zhi Shen
KQ Yeoh
Connie Ng
Ticketing & FOH Manager
Lim Siok Li
Assistant ticketing
Wong Joey
FOH Supervisor
Paz Lim
FOH Usher
Chuah Teck Khim
Yap Yan Kang
Chew Yu Han
Chow Kai Xin
Wong Jin Yuan
Gan Min Hao
Beh Yi Hao
Phang Jia Sheng